Narratives

Rosabel Rosalind

ARTIST STATEMENT BY ROSABEL ROSALIND

Using drawing, painting and installation, my work allegorizes an unorthodox mythos in which the mundane imitates the spectacular, humor recontextualizes history, and optical illusion skews the familiar into a hyperbolic horror vacui. Informed by diasporic storytelling traditions, absurdist conspiracy theories and personal and cultural memory, my images realize a sublime universe unraveled by the theatrics of Hollywood, the bible, and the climate crisis. In mythologizing autobiographical and historical narratives, my work animates the inanimate with a melodramatic cynicism and sacrilegious sarcasm, playfully fusing notions of good versus evil, kosher versus unkosher, and sacred versus profane. Humor serves a survivalist role in my work; through melodrama, irreverence and subliminal messaging I dismantle patriarchal hierarchies of power and disarm the anthropocentric and white supremacist ideologies that plague the planet’s most vulnerable.

 
A drawing of two figures using a dagger to stab a head. The figure on the right has a white dove on their shoulder. The figure they are killing has Hebrew text overlaid on their skin.

Rosabel Rosalind, Kaddish (Or Judith Slaying Holofernes), Colored pencil, conte, and charcoal on paper, 2019

Two figures wearing regal outfits with Hebrew text overlaid on their skin. Above the figures there is a white dove with its wings spread.

Rosabel Rosalind, God Full of Compassion, Colored pencil, conte, and charcoal on paper, 2019

A drawings of three figures. They all have Hebrew text overlaid on their skin and they are wearing regal crowns. The figure in the foreground has a white dove sitting on their shoulder.

Rosabel Rosalind, Merciful Father, Colored pencil, conte, and charcoal on paper, 2019